I forgot about your name but can I call you annoying?

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    Original artwork by Peter Koelman

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Feat. Ilah van der Haas

lyrics

We said our goodbyes with Parkinson eyes, these trembling hands held yours that night. When you still believed it’s all in a dream. Cause we’re all dying in the next scene! OMG, we’re back at riding circles in a hearse. Once again it’s time to put you back into the earth (this won’t hurt). We’ve been through this so many times that it seems death becomes so scene. It’s tiring, so is “you’re dying” now. It’s not worth believing you’re dying now. She’s breaking like glasses on Saturday night, talking about herself all of the time. Ruining the mood (She’s all that you want, all you want to be gone, all you want to be gone). How could you become so discontent? Not wanting to see the life that ends in glory. She’s breaking, concrete versus a personality made of porcelain. It seems she’s ready to fall to the centre of attention, where she claims to belong. OMG, I can’t believe I fell for it again. There is nothing wrong with her, it’s all in her head (once again). We’ve been through this so many times that it seems your “death” means living for the scene. The pressure builds, it’s all routine here, she’s so easily fed to the fire. You don’t belong in this part of the scene, dear. Where it’s only about your attire. It’s all make believe, all that you call the scene is based on make believe.

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from It Starts With One, released December 13, 2013

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Deadbeat Enschede, Netherlands

"A party has crashed your town and Deadbeat's riding the bandwagon".

Kijk ze gaan met hun aanstekelijke en energieke blend van metalcore en meezingers, gebracht met de swagger waar menig hiphopartiest jaloers op zou zijn. Even geen slonzige, langharige bende, maar vijf brokken sexual man chocolate in topconditie. How much can you handle? ... more

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